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MESHES

Notes on cinema and visual culture


​Edited by Kyna Morgan and Tracey Francis
​
US/UK edition
​Issue #1 (March 2018)
​

Publisher: MacBain & Boyd

About 

​Meshes is named in honor of the landmark experimental film Meshes of the Afternoon by Maya Deren and Alexander Hammid, made in 1943. This film contextualises the interiority of a woman and Deren's approach to filmmaking reflects the wide spectrum of moving image culture and polyvisual representations we will explore through this collection of notes. ​
​
Aim & Scope

The aim of Meshes is to be part of the global conversation about narratives that explore diversity in its polyvisual representations in film, moving image, and visual culture; to discover and promote women's film history; and to create a proliferation of conversations around film and moving image narrative, structure, and process. Meshes will encourage and pursue new writing on diversity in film and contemporary visual culture, contextualise hidden narratives that have impacted visual culture, and be open to new and challenging ideas on film, moving image, and visual culture.  Meshes will be released over three issues in 2018.

Her Film Project elevates inclusive storytelling that broadens representation in global cinema. ​
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