The following is a guest post by both the writer-director and the producer of Darkness Finds the Fearful, a horror-thriller short and graduate thesis film at the Savannah College of Art and Design in Savannah, Georgia.
ABOUT THE FILM
The film follows a young woman named Natalie who is fleeing for her life in an abandoned building. She’s accompanied by another victim, Britney, as both are pursued by their abductor. As Natalie leads the escape, she reflects back on hunting in the woods with her forest and the wisdom he imparted on her about survival.
learn more & connect
To learn more about this film, support its production, and to connect with the team, please visit:
Website: Darkness Finds the Fearful
Facebook: fb.com/darknessfindsthefearful
Twitter: @DarknessFinds
Indiegogo: Darkness Finds the Fearful - horror short (Currently raising funds)
Website: Darkness Finds the Fearful
Facebook: fb.com/darknessfindsthefearful
Twitter: @DarknessFinds
Indiegogo: Darkness Finds the Fearful - horror short (Currently raising funds)
BY SIN RIBBON, writer-director
This narrative is the distilled essence of a feature I have written, as I hope to provide a glimpse into the dark worlds I create. Like the feature, Darkness Finds the Fearful illustrates human nature in its rawest form and examines how human life is valued. I wrote the feature because I was fed up with horror clichés—survivors portrayed as vapid, thoughtless, and weak that are sacrificed for gratuitous gore. I don’t shy away from violence if it serves the story, but death only instills an emotional reaction in audiences if the characters have a soul. To mock but also enhance the genre, I wrote the feature to showcase close friendships, survival instincts, and prominent female characters. The short embodies that same spirit by presenting human nature as it truly is, without condoning or condemning.
The portrayal of women and realistic people in general is important to me. I strive to portray characters with depth—something I equate to complexity over mere strength or altruism. "Natalie" is a determined and resourceful woman, but she is also fallible, conflicted between her need to be protective and need to survive. Characters are relatable in their primal goals, in their mistakes and misgivings. Subconsciously, I think we want to be validated in our faults, likely why we are drawn to these characters, but likewise characters have to learn something. A path must be forged. I’ve chosen this story because I believe introspection is important for us as humans. We should always be willing to examine our humanity, unfiltered and at its deepest level. By exploring these aspects, we can be more honest with ourselves and grow, even from fictional experiences.
This narrative is the distilled essence of a feature I have written, as I hope to provide a glimpse into the dark worlds I create. Like the feature, Darkness Finds the Fearful illustrates human nature in its rawest form and examines how human life is valued. I wrote the feature because I was fed up with horror clichés—survivors portrayed as vapid, thoughtless, and weak that are sacrificed for gratuitous gore. I don’t shy away from violence if it serves the story, but death only instills an emotional reaction in audiences if the characters have a soul. To mock but also enhance the genre, I wrote the feature to showcase close friendships, survival instincts, and prominent female characters. The short embodies that same spirit by presenting human nature as it truly is, without condoning or condemning.
The portrayal of women and realistic people in general is important to me. I strive to portray characters with depth—something I equate to complexity over mere strength or altruism. "Natalie" is a determined and resourceful woman, but she is also fallible, conflicted between her need to be protective and need to survive. Characters are relatable in their primal goals, in their mistakes and misgivings. Subconsciously, I think we want to be validated in our faults, likely why we are drawn to these characters, but likewise characters have to learn something. A path must be forged. I’ve chosen this story because I believe introspection is important for us as humans. We should always be willing to examine our humanity, unfiltered and at its deepest level. By exploring these aspects, we can be more honest with ourselves and grow, even from fictional experiences.
About the Writer-Director
Sin Ribbon is an artist, filmmaker, and storyteller. She wrote the short horror-thriller Darkness Finds the Fearful and will direct it for her graduate thesis at the Savannah College of Art and Design (SCAD).
Sin Ribbon is an artist, filmmaker, and storyteller. She wrote the short horror-thriller Darkness Finds the Fearful and will direct it for her graduate thesis at the Savannah College of Art and Design (SCAD).
BY SOMMERSILL TARABEK, producer
When first approached by Sin to work on the film, I was drawn in by her approach to horror. Not only does the focus of the film rest primarily upon questions of human nature, but the film expresses itself through the lenses provided by its characters – the strongest of which are women. In many horror and thriller films, women play subordinate or "damsel" roles that require them to be rescued by men. In Darkness Finds the Fearful, viewers will find this is not the case. As a woman myself and a fan of well-written characters like "Natalie," I realized the sort of impact a film like this could have on the genre and wanted to be part of it.
As producer, my main concerns with this film are its logistics. The locations properly reflect the aspects of Sin’s vision, the actors thoroughly represent their respective characters, and the quality of the film will be high because of our insistence to get it right. With pre-production underway and principal shooting around the corner, it’s an exciting time at Team Darkness.
When first approached by Sin to work on the film, I was drawn in by her approach to horror. Not only does the focus of the film rest primarily upon questions of human nature, but the film expresses itself through the lenses provided by its characters – the strongest of which are women. In many horror and thriller films, women play subordinate or "damsel" roles that require them to be rescued by men. In Darkness Finds the Fearful, viewers will find this is not the case. As a woman myself and a fan of well-written characters like "Natalie," I realized the sort of impact a film like this could have on the genre and wanted to be part of it.
As producer, my main concerns with this film are its logistics. The locations properly reflect the aspects of Sin’s vision, the actors thoroughly represent their respective characters, and the quality of the film will be high because of our insistence to get it right. With pre-production underway and principal shooting around the corner, it’s an exciting time at Team Darkness.
About the Producer
Sommersill Tarabek is a filmmaker and producer of Darkness Finds the Fearful.
Sommersill Tarabek is a filmmaker and producer of Darkness Finds the Fearful.
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